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New Music (music industry) : ウィキペディア英語版 | New Music (music industry)
New Music was an umbrella term used by the music industry and by music journalists in the United States during the 1980s to describe music acts who had come to commercial success in the United States through the cable music channel MTV. It was a pop music and cultural phenomenon in the United States associated with the Second British Invasion.〔(Triumph of the New Newsweek on Campus reprinted by the Michigan Daily March 2, 1984 )〕〔(Tarnished gold: the record industry revisited" Von R. Serge Denisoff, William L. Schurk, p. 441 )〕 ==Characteristics== Many New Music acts were danceable, had an androgynous look, emphasized the synthesizer and drum machines, wrote about the darker side of romance, and were British. New Music acts rediscovered rockabilly, Motown, ska, reggae and merged it with African rhythms to produce what was described as a "fertile, stylistic cross-pollination".〔 The term "New Music" was also used to describe new wave acts such as Elvis Costello and the Pretenders,〔 and American MTV stars such as Michael Jackson.〔 Stephen Holden of the ''New York Times'' wrote at the time that New Music was more about its practitioners than their sound. Teenage girls and males that had grown tired of traditional "phallic" guitar driven rock embraced New Music.〔 New Music was a singles oriented (both 7 inch and the then new 12 inch) phenomenon, reverting the 1970s rock music album orientation.〔Cateforis pp. 56-57〕
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「New Music (music industry)」の詳細全文を読む
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